Susan Lipper
Susan Lipper

The series takes its name from Grapevine Branch, West Virginia, a small community where Lipper took up intermittent residency for over five years. In time, she became an inside member of this closed community and developed intimate relationships with the residents, whom she interviewed and photographed with a medium-format camera. Although Lipper’s images seem to be constructed within the established vocabulary of documentary photography, she broke from this tradition by granting her sitters the theatrical license to perform as actors—as versions of themselves that may or may not have been true. After developing her prints, Lipper reviewed them with her sitters so they could refine or alter their poses. The resulting collaborative process paradoxically fulfills a traditional documentary function by throwing the gender and class roles enacted in small-town America into greater relief and asks viewers to recall the images of rural American communities we hold in our collective visual memory. In Lipper’s photographs, each role, whether inhabited or performed, reveals itself to be artifice or fantasy as much as a means of personal expression. In this way, Grapevine enacts a double manifestation of self, picturing both Lipper’s own psychic imagination—her creation and exploration of a fictional Eden removed from the reach of empty consumerism—and her subjects’ keen self awareness in their posturing.


Bio
Susan Lipper is a New York based artist. She received her MFA from Yale University in 1983. Among the monographs on her work are Bed and Breakfast, 2000, trip, 1999, and GRAPEVINE, 1994. Lipper is represented, amongst other places, in the collections of the Metropolitan Museum of Art, New York City, the Museum of Contemporary Art, Los Angeles, the San Francisco Museum of Modern Art, San Francisco, the Museum of Fine Arts, Houston, and the Victoria and Albert Museum, London. She is the recipient of numerous awards, including fellowships from the National Endowment for the Arts, New York Foundation for the Arts, and most recently the 2015 Guggenheim Fellowship. See more of her work here. 

All images courtesy of the Artist and Higher Pictures

 Untitled (Grapevine) 1992

Untitled (Grapevine) 1992

 Untitled (Grapevine) 1990

Untitled (Grapevine) 1990

 Untitled (Grapevine) 1990

Untitled (Grapevine) 1990

 Untitled (Grapevine) 1991

Untitled (Grapevine) 1991

 Untitled (Grapevine) 1991

Untitled (Grapevine) 1991

 Untitled (Grapevine) 1991

Untitled (Grapevine) 1991

 Untitled (Grapevine) 1992

Untitled (Grapevine) 1992

 Untitled (Grapevine) 1990

Untitled (Grapevine) 1990

 Untitled (Grapevine) 1992

Untitled (Grapevine) 1992

 Untitled (Grapevine) 1992

Untitled (Grapevine) 1992

 Untitled (Grapevine) 1992

Untitled (Grapevine) 1992

 Untitled (Grapevine) 1992

Untitled (Grapevine) 1992

 Untitled (Grapevine) 1991

Untitled (Grapevine) 1991

 Untitled (Grapevine) 1991

Untitled (Grapevine) 1991